Axis of Andes: World War Two in South America by D.G. Valdron

SF Canada member D.G. Valdron recently released a two-part alternate history chronicle of a second world war in South America.

Axis of Andes is a stunning alternate history, exploring the baroque and tragic journey of Latin America from independence to the depression, and chronicling a dark history that might have been. A tiny change ends up altering the outcome of an election. Rippling outwards, Fascist movements gain more momentum, local politics unravel in new directions. Dominos cascade as the war spreads steadily, involving country after country in a death struggle.

Deep examinations of the history, societies and economies of each combatant reveal the underlying tensions and stresses, the fault lines and tectonic divides that drive the internal politics and international agendas of each combatant. We see scenes of the war and the combatants from their own perspective as the world falls apart around them. Written as both a history and as a series of compelling narratives,

The Axis of Andes is the first part of a two-part Alternate History series which ultimately rewrites the map of South America. Volume One begins the war with the Invasion of Ecuador, the March on Lima, expanding to trench warfare between Peru and Chile, sea battles between Chile and Peru, and a jungle war slowly spreading through the interior.

Reviews for Axis of Andes:

“Valdron’s alternate history is packed with credible variations of actual events which add quirky interest to the fictional trends he extrapolates from the historical infrastructure. … At no time does his fiction seem improbable or unlikely. It all seems to make sense. Internal consistency is one of the great strengths of this book.” – R. Graeme Cameron, Amazing Stories
“It is about the Ecuador-Peru war of 1941, in our timeline a minor conflict in which less than 2,000 people died which went almost unnoticed among the drama of the Second World War. In Valdron’s books however it ignites into a far more bloody affair and South America sees some of the hell that Europe and Asia experienced. … This is a book with an imaginative premise, genuine historical knowledge about areas of the world which we don’t think about as much in the west.” – Gary Oswald, Sea Lion Press
“In a well outlined 1940 South America, Peru, Ecuador and Chile stumble / drift into a war over mostly worthless border territories with a heavy dose of avenging offended national honour layered in. … This first volume ends with things still up in the air: the opposing camps do not have the means to deliver a knockout punch. The follow up should be worth reading.” – Amazon reviewer

D.G. Valdron is a wayward Maritimer, born on the north shore of New Brunswick. His father was a mechanic, his grandfather a carpenter, which provided Valdron with an arsenal of skills, a work ethic, and a practical approach to life. D.G. is currently a lawyer working in the field of aboriginal rights, but has also worked as a mechanic, carpenter, projectionist, cook, waiter, woodcutter ditch-digger, journalist and school teacher.

The Axis of Andes books are available through Amazon.

Action-Based Book Videos

Will They Help Sell Your Books?

by Susan Forest

The rise of independent publishing has spurred an explosion in innovative book promotions. YouTube provides a channel for creative people to reach audiences visually, so in the past few years, authors and publishers have experimented with book videos. Many of these show static photos of the cover or stock footage with narration, captions, or a few words from the author. Not highly engaging. So–looking for a way to make a small press novel stand out from the crowd–is it possible to create an entertaining promotional video, without breaking the bank?

As my publisher, Laksa Media Groups, is a small press, their budget for producing videos was virtually non-existent, but they were willing to support a series of action-adventure pieces by providing enthusiasm, research, and critique. In addition, they commissioned a song from a local song writer for the sound track. Armed with this, I called for help from family and friends. As of this writing, Laksa Media and I have produced three action-adventure videos and one Artist Response video, with a second Artist Response video planned for later in 2020.

We kept the videos short (2-2.5 minutes), not intending to capture the entire plot of my novel, like a movie trailer. Instead, they are in the style of music videos. Each video was story boarded with attention to actors, location, camera angles, and plot, to illustrate a narrative arc: sparking incident, complication, crisis, climax, and resolution. Of course, we took advantage of improvised moments as they occurred while shooting, as well.

As my novels are secondary-world fantasy, I needed primitive, wild, and castle-like settings. I planned three principal a shoots. My sister is a horsewoman, so we filmed on her acreage; a good friend let my use her stunning home for the palace scenes; and Calgary’s Edworthy Park has accessible cliffs.

Each video shoot needed several different set-ups (barn, garden, balcony, entryway). The actors could improvise their lines based on the idea of the scene, as there was no dialogue: all sound was stripped from the film, and the visuals put to music. We took a master shot of all the action first, followed by medium and close-up shots from different angles. It was amazing how we could capture the actors’ best moments (we had excellent amateur actors).

Using two cameras cut down on filming time but it was essential to take time to review footage after each take, as we had no way to assemble all elements again at a later date for re-takes. Each set-up took about 45 minutes to capture several minutes of usable film, which, once edited, was only seconds-long on screen.

The biggest challenge was the editing, but that was almost more inspiring than the filming, because of the creativity involved. Selecting certain cuts, altering elements of music, adjusting colour, and other techniques could strongly alter the final effect of the film. My daughter, who holds a BFA in Media Arts, has professional editing software which was user-friendly (drag-and-drop). Coordinating the action to the music meant cutting clips or stretching them to synchronize with the beat of the music. We rotated a horizontal shot, cropped clips to draw focus, made some clips partly transparent, and used special effects, such as rain. Titles and credits were easy to superimpose on the footage, and my daughter created the branding assets (brief animated logos) for the publisher and me.

Technically, the budget was $0. The publisher took care of the music and the musician. I bought two secure digital SD cards, material such as fabric, and lunch for the cast, bringing the “official” total to about $250. However, there was gas mileage for driving to my sister’s acreage, and I paid my daughter an honorarium, as the editing was time-consuming. We did not pay for costumes (donated), actors’ talent, location, cameras, or professional software.

Was it worth it? The actors, my daughter, and I enjoyed the process, particularly the discoveries inherent in the creative process. I learned much about filming videos so I’m confident I can create the next ones more efficiently. For example, I discovered it’s important to use a tripod, as shaky footage isn’t useable (though we did use a few follow-shots in the current video). As a director, I was busy with so many elements, I had to have confidence in the actors to jump in with little rehearsal or direction when the camera was rolling. When working with the larger cast, it was important to have someone serve as a gofer–gluing costumes and ensuring everyone had water.

Yes, it was worth it. I enjoyed creating work I’m proud of and sharing it, and I’ve enjoyed the positive feedback I’ve received on them. Did the videos sell books? Probably not. But they’re part of a larger promotional plan, (including my 2020 launch of Flights of Marigold, Book 2 of my Addicted to Heaven Series–quite a challenge during COVID) to build a brand over time by providing content to readers, even when a book is not pending. If people see one video, they might watch others, share them with friends, and watch for the next one coming out. Over time, I hope to build a following.

Interested in viewing the videos? Check them out (”Like”and share generously!

Anathema: Spec from the Margins

SF Canada member Richard Graeme Cameron reviews Anathema: Spec from the Margins in his latest Amazing Stories column.

Anathema is a free, online tri-annual magazine publishing speculative fiction (SF/F/H, the weird, slipstream, surrealism, fabulism, and more) by queer PoC/Indigenous/Aboriginal creators on every range of the LGBTQIA spectrum. The editors are keenly aware of the structural and institutional racism that makes it hard for the work of marginalized writers to find a home.

In his review, Graeme notes that “the editors demand more than old-fashioned transparent window fiction, as illustrated by editor Michel Matheson’s capsule description”:  Issue 7 is focused on two of our core aesthetics, evincing a balance between burning mirrors allegorically reflecting the nightmare realities of our own world, and the terrible, beautiful possibilities of revelation in the face of found love, hidden histories, and resisting oppression. But overarchingly, Issue 7 is an issue of internal understandings—of gnosis and acceptance.

Graeme concludes with “All in all, Anathema certainly stands out from the crowd. A remarkable magazine. Definitely worth reading. ”

Issues can be read for free at Why not support this worthy initiative by purchasing an ebook of issue #7 or a subscription today!